mame/ini/examples/p4.ini

# P4 Phosphor
#
# White phosphor for black & white televisions
#
# This phosphor presents a clear white appearance that is perceptually similar
# to a black and white photograph on highly reflective paper when the viewing
# environment is sufficiently dim, and makes D65 look fairly dull and yellowish
# in comparison, that said, next to saturated colors the blueish tint becomes
# more apparent.  This might explain why this white point was abandoned in
# favor of the more neutral Illuminant C (and later D65) for color television.
#
# Medium-short persistence
#
# DIRECT3D POST-PROCESSING OPTIONS
#
chroma_mode            1
chroma_a               0.265,0.285
chroma_conversion_gain 0.30,0.59,0.11
chroma_y_gain          1.0,0.0,0.0
HLSL Color Transforms and 3D LUT (#4043) * Remove broken scanline uniform from post_pass * Add 3D LUT to HLSL * Allow individual LUTs for screen and UI * WIP: Port 3D LUT to BGFX * Finish porting LUT to BGFX * Add individual phosphor color conversion for HLSL new file: hlsl/chroma.fx Shader for converting xyY3 to sRGB modified: hlsl/phosphor.fx Minor changes to emphasize idea that phosphors are color agnostic modified: hlsl/post.fx Conversion from signal RGB to xyY3 modified: src/osd/modules/render/d3d/d3dhlsl.cpp modified: src/osd/modules/render/d3d/d3dhlsl.h modified: src/osd/windows/winmain.cpp modified: src/osd/windows/winmain.h * Add phosphor examples and update presets * Port phosphor color shaders to BGFX * Fix missing newlines at EOF 2018-10-07 17:42:30 +02:00			`# P4 Phosphor`
			`#`
			`# White phosphor for black & white televisions`
			`#`
			`# This phosphor presents a clear white appearance that is perceptually similar`
			`# to a black and white photograph on highly reflective paper when the viewing`
			`# environment is sufficiently dim, and makes D65 look fairly dull and yellowish`
			`# in comparison, that said, next to saturated colors the blueish tint becomes`
			`# more apparent. This might explain why this white point was abandoned in`
			`# favor of the more neutral Illuminant C (and later D65) for color television.`
			`#`
			`# Medium-short persistence`
			`#`
			`# DIRECT3D POST-PROCESSING OPTIONS`
			`#`
			`chroma_mode 1`
			`chroma_a 0.265,0.285`
			`chroma_conversion_gain 0.30,0.59,0.11`
			`chroma_y_gain 1.0,0.0,0.0`